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・ António Chainho
・ António Champalimaud
・ António Conceição da Silva Oliveira
・ António Cordeiro
・ António Correia
・ António Correia (admiral)
・ António Correia (footballer)
・ António Correia de Oliveira
・ António Costa
・ António Costa Pinto
・ António Coutinho
・ António Câmara
・ António Cândido
・ António Cândido Gonçalves Crespo
・ António D'Andrade
António da Cunha Telles
・ António da Madalena
・ António da Mota Veiga
・ António da Silva Monteiro, 1st Count of Silva Monteiro
・ António da Silva Porto
・ António da Silva Samuel
・ António Dacosta
・ António das Chagas
・ António de Abreu
・ António de Albuquerque Coelho
・ António de Almeida Santos
・ António de Amaral de Meneses
・ António de Andrade
・ António de Araújo e Azevedo, 1st Count of Barca
・ António de Ataíde


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António da Cunha Telles : ウィキペディア英語版
António da Cunha Telles

António da Cunha Telles (born February 26, 1935) is a Portuguese film director and producer. He was born in Funchal.
==Biography==
António Cohen da Cunha Telles was born on February 26, 1935 in Funchal, Madeira. He studied Medicine in the University of Lisbon. He went to Paris around 1956, studying film-making at the Institut des Hautes Etudes Cinematographiques (IDHEC), graduating in 1961.
Back to Portugal, he ran a newspaper called ''Imagens de Portugal (Images of Portugal)'', and assumed leading functions at the Cinema Services of State Entities.
His directing debut was made with the documentary ''Os Transportes'' (1962), and starts activity as a producer, becoming one of the essential names of the ''Portuguese New Cinema (Novo Cinema)'' movement. He produces ''Os Verdes Anos'' (1963) by Paulo Rocha and ''Belarmino'' (1964) by Fernando Lopes.
In 1970, Cunha Telles directed his first feature-film, ''O Cerco''. Meanwhile, he established a distribution company (Animatógrafo) which becomes responsible for a revolution in the kind of cinema seen in Portugal in the first half of the 1970s. Eisenstein, Tanner, Jorge Sanjines, Littín, Glauber Rocha, Vigo, Gilles Carle, Karmitz, among others, became more familiar to the Portuguese audience through that distributor.
During the 1970s, Telles directed three films: ''Meus Amigos'' (1974) and ''Continuar a Viver'' (1976) signed by himself, ''As Armas e o Povo'' (1975) together with other directors. In the end of the decade, Cunha Telles is found high placed as the leader of the Portuguese Cinema Institute and the Tobis Portuguesa.
In 1983, returns to production, since the Animatógrafo firm was divided in one sector of distribution (still in activity, conducted by Renée Gagnon - the current Marfilmes) and one sector of production, headed by himself (together with his daughter Pandora da Cunha Telles - the current Filmes de Fundo), which is dedicated to its own productions as well as assuring executive productions of foreign films partially shot in Portugal, counting since that date with a large number of productions, with films directed by names like José Fonseca e Costa, Eduardo Geada, Joaquim Leitão, Edgar Pêra, António de Macedo, António-Pedro Vasconcelos and among several telefilms and a countless number of executive productions.
The most recent films directed by Cunha Telles are ''Vidas'' (1984), ''Pandora'' (1996) and, more recently, ''Kiss Me'' (2004), the first and only cinematic experience of the top model Marisa Cruz.

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